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Psalm 25

Introduction

Page 105 of 113

TITLE.—A Psalm of David. David is pictured in this Psalm as in a faithful miniature. His holy trust, his many conflicts, his great transgressions, his bitter repentance, and his deep distresses are all here; so that we see the very heart of “the man after God’s own heart.” It is evidently a composition of David’s later days, for he mentions the sins of his youth, and from its painful references to the craft and cruelty of his many foes, it will not be too speculative a theory to refer it to the period when Absalom was heading the great rebellion against him. This has been styled the second of the seven Penitential Psalms. It is the mark of a true saint that his sorrows remind him of his sins, and his sorrow for sin drives him to his God.

SUBJECT AND DIVISION.—The twenty-two verses of this Psalm begin in the original with the letters of the Hebrew alphabet in their proper order. It is the first instance we have of an inspired acrostic or alphabetical song. This method may have been adopted by the writer to assist the memory; and the Holy Spirit may have employed it to show us that the graces of style and the arts of poetry may lawfully be used in his service. Why should not all the wit and ingenuity of man be sanctified to noblest ends by being laid upon the altar of God? From the singularity of the structure of the Psalm, it is not easy to discover any marked divisions; there are great changes of thought, but there is no variation of subject; the moods of the writer’s mind are twofold—prayer and meditation; and as these appear in turns, we shall thus divide the verses. Prayer from verses 1 to 7; meditation, verses 8, 9, 10; prayer, verse 11; meditation, verses 12-15; prayer, verses 16 to end.

C. H. Spurgeon, The Treasury of David, Volume 1 (1869). Public domain. Text from Project Gutenberg (eBook #79723).